Aguirre, der Zorn Gottes

Aguirre, der Zorn Gottes

Aguirre, the wrath of God

Blu-ray Disc | German
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He has taken his camera to parts of the world no other director would dare go, and told stories in ways no one had ever considered. This masterpiece illustrates why Werner Hertzog is the most daring, visionary, and dangerous filmmaker of our lifetime. The director that both Milos Forman and Francois Truffaut have called 'the greatest filmmaker alive today.'
Copyright Date: ©2014
Characteristics: 1 videodisc (94 min.) : sound, color ; 4 3/4 in
digital,optical,DTS-HD Master Audio,rda
video file,Blu-Ray,1080p high definition,region A,rda
Alternative Title: Aguirre, the wrath of God


From Library Staff

Klaus Kinski brings demonic intensity to his role as Aguirre, a crazed Spanish conquistador who leads a band of explorers down the Amazon river in search of gold. Director Herzog’s 1972 film features fantastic jungle photography as well as hypnotic music by the German rock band Popul Vuh.

From the critics

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May 01, 2018

Judging by the SPL description, the writer didn't even watch it.

Feb 08, 2018

One of Werner Herzog's finest films. Madness and megalomania....

Apr 11, 2017

A cinematic masterpiece of madness, and lust for power amidst the jungles of the Amazon. A haunting, hypnotic film by the great Werner Herzog.

Apr 11, 2017

One of Werner Herzog's greatest and haunting films, with some of the most powerful acting you'll ever see by Klaus Kinski.

Apr 11, 2017

Great cinema for those people who have the ability to actually watch a great movie.
This is not a movie to be multi-tasked, viewer attention is required.
Critically rated as one of Cinemas masterpieces and I couldn't agree more.
Excellent Direction, Stunning Cinematography, Exceptional Acting, Plot and Dialog.
Cinematic Art for those viewers who actually possess an attention span.

Dec 16, 2016

Amazing !!!! saw this on PBS when I was 12 and have loved it ever since. Haunted by shadows>>>
420 >>>

Feb 05, 2016

A nightmarish journey along the Amazon, plagued by violence, lunacy, and deprivation, becomes an allegory on the foibles of human avarice. Aguirre, driven mad by visions of power, crowns one of his cohorts “king” while the church, represented by a cowering monk who also serves as narrator, tries to ingratiate itself to whomever wields the most power. Meanwhile the rest of the crew, seeing the preferential treatment afforded lord and commander, begin to reconsider their loyalties yet again. Time and nature eventually take their toll however, and in one of cinema’s most tormented sequences a raving Aguirre takes stock of his dwindling “empire”. Actually filmed on location aboard a small fleet of makeshift rafts, director Werner Herzog and company suffered through many of the same hardships as the characters in the story with a colossal battle of egos between pigheaded director and a temperamental Kinski becoming the stuff of cinematic legend. But the finished product is breathtaking with its glorious cinematography set off by a spare yet evocative musical score. Although the entire cast put forth memorable performances, Kinski’s depraved Aguirre dominates every scene—glowering and hissing like a pit viper, his lurching gait and crooked back calling to mind a Castilian Richard III. Culling whatever he can from his surroundings whether manmade or natural (a boat suspended from a tree provides a haunting visual while a troop of frantic monkey manage to upstage Kinski himself) Herzog spins a tragic parable whose occasional flashes of gallows humour only accentuate its funereal tone.

Oct 16, 2015

Believe me, considering this film's age (forty-three years) and that it's a foreign film, I really did try to cut it some slack - But, once the absolutely ludicrous decapitation scene took place, I just couldn't bring myself to rate this one any higher than 1.5 stars.

This is one of those films where I'm dead-certain that its director (Werner Herzog) must've told the entire cast (with the exception of Klaus Kinski) to simply not act at all.

More than anything else - Each one of these actors (except Kinski) came across to me more like an inanimate object rather than a real person. And even when they were struck with a deadly cut from a spear (or, whatever), their response was so painfully apathetic as to be almost nil.

And, speaking about Kinski - I found his bug-eyed, glowering character to be one of the most boring "movie-madmen" imaginable. And, with his pale, blond hair and baby-blue eyes, I wasn't even close to being convinced that his character was a Spaniard.

And, finally - This historical-adventure story (which was produced on a very modest $400,000 budget) could've easily had about 20 minutes edited out of its 94-minute running time and it wouldn't have made the least bit of difference to the coherency of its story.

Jul 31, 2015

This film is dark and slow moving. I consider it more "interesting" than "entertaining".
Although fictional, the film was based on the real Aguirre. So no big spoiler surprise that people die and such.
If you do watch the movie I recommend watching it a second time with the director's audio commentary track. It didn't make the movie more entertaining (for me) but it did make me appreciate what they went through to film the movie. I honestly found that more interesting than the movie itself.

NewYorkViews Nov 13, 2014

I am a Klaus Kinski fan, and this is one of my favorite films that he made. I have seen this at least five times, and I was happy that NYPL carries it so that I could watch it again. Historical portrayal of Spanish conquistador Aquirre (played by Klaus Kinski), who realizes early on that the expedition to find El Dorado (fabled land of Gold in South America) is doomed, and puts on the fierceness of survival as the troop all succumb to malaria and unseen arrow sharpshooters from the jungle. It is based on a true story as recorded by a monk that was on the expedition whose notes were found a few weeks after the doomed expedition.

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