Lincoln in the Bardo

Lincoln in the Bardo

A Novel

Book - 2017
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On February 22, 1862, two days after his death, Willie Lincoln was laid to rest in a marble crypt in a Georgetown cemetery. That very night, shattered by grief, Abraham Lincoln arrives at the cemetery under cover of darkness and visits the crypt, alone, to spend time with his son's body.
Set over the course of that one night and populated by ghosts of the recently passed and the long dead, Lincoln in the Bardo is a thrilling exploration of death, grief, the powers of good and evil, a novel - in its form and voice - completely unlike anything you have read before. It is also, in the end, an exploration of the deeper meaning and possibilities of life, written as only George Saunders can: with humor, pathos, and grace.
Publisher: New York :, Random House,, [2017]
Edition: First edition
ISBN: 9780812995343
0812995341
Call Number: F SAUNDERS
Characteristics: 341 pages ; 25 cm

Opinion

From Library Staff

August 2018

A mesmerizing historical novel and Dantesque tour with spirits. The book  takes place on a February night in  1862, when Abraham Lincoln  visits the  grave of his recently interred 11-year-old son, Willie.


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Oddly composed of snippets of this and that, but I'm still at the beginning and a bit derailed by the over-the-top lavish state banquet, with all the exquisite confections and entrees, on the same night that Willie dies.

Later: Those who speak are in neither heaven nor hell, but caught by their own unsettled minds where their remains are buried. Stubbornly self-engrossed and unresolved, they find Lincoln's presence a very welcome respite. But demons dwell there too. A compelling work that still stays in my mind.

Kris--PR Library

t
talk2terih
Jun 13, 2018

As Salieri said of Mozart's music in the film Amadeus "This was something entirely new."

Every now and then, a piece of art emerges that forces to rethink how we define that particular genre. Picasso, Pollock, Manet, Seurat, all put forth paintings in styles previously unknown, e e Cummings caused us to view poetry in a new way, and as Salieri observed, Mozart gave us music that was entirely new.

With this book, George Saunders has expanded our definition of what constitutes a novel, a fictional work of literature. It is difficult to find our way at times in this book, but that is noone' s fault. We are breaking new ground and that is an effort that goes slowly. The writing, if odd, is beautifully crafted. The ideas of the aftetlife, if unusual, are beautifully described. And the grief of Mr. Lincoln for his dead son is so raw and immediate, you feel as though you should turn away from witnessing such an intimate moment.

This book is the heir to Master's Spoon River Anthology, itself a groundbreaking play. If that work appealed to you at all, give this one a go and bring an open mind. I am guessing that you, like me, will never define the novel in quite the same way after reading this book.

bibliotom May 19, 2018

I have gleaned from experts on TV that ghosts are spirits of the dead who can't move on to the next plane of existence. In this way they are perfect exemplars of the Buddhist problem of attachment, the universal neurosis that is the unspoken subject of Saunders' novel. The "ghosts" here are stuck in the bardo because they won't let go of something in their lives, and in this way they are more like living human beings than the dead. The key to their escape from this perpetual twilight is compassion. There is no mention of Buddha in this book, but it's a wonderful example of how buddhism works in the real world, as imaginary and imaginative as this graveyard bardo is.

KateHillier May 14, 2018

That was an experience of a book. The format takes a little bit of getting used to but once I found my rhythm it was smooth sailing. Aside from the pain and gutpunching that the entire story as a whole is. Abraham Lincoln's young son, Willie, has died. He finds himself in an inbetween place with other spirits, who don't know or won't recognize their actual state of being. Meanwhile, in the living world, Lincoln grieves and a war goes on. The grief, and death, and destruction and penance being taken is heartbreaking. There are bits of humour throughout but it almost seems more tragic than funny.

I really enjoyed this. I guarantee you've never read anything like it.

l
LThomas_Library
May 05, 2018

Read and reflect.

n
Nanabelle_5
Apr 15, 2018

Add to Tablet

p
peggysnorf
Apr 12, 2018

Awful book.

j
JANET FLAPAN
Apr 07, 2018

Stick with it, the structure can be confusing but it's so original and creative. I loved it and think it will inspire other writers to try new ideas. Based partly on history and partly on philosophy and Eastern religious ideas.

s
smbeust
Apr 02, 2018

I loved this book. It reminds me of one of my favorites, by Sherri Reynolds, "A Gracious Plenty". I have always loved ghost stories since being very young, but these two books about people who are talking to one another in their cemeteries, fascinate me.

m
maggie0287
Mar 22, 2018

I was excited to finally get this book after reading all the hype, and was sorely disappointed. The story is incredibly disjointed, jumping between snippets from publications and fictional characters within the book, often without any import and always without punctuation. I could not get into the story or the characters, and after about a 90 minutes of reading I resorted to skimming to just get through it.

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LThomas_Library
May 05, 2018

Other: Topics: Death, super natural.

l
LThomas_Library
May 05, 2018

Frightening or Intense Scenes: Intense empathetic scenes.

l
LThomas_Library
May 05, 2018

Coarse Language: Moderate language.

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LThomas_Library
May 04, 2018

LThomas_Library thinks this title is suitable for 17 years and over

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