The Vanishing HalfBook - 2020
From Library Staff
Twin sisters, inseparable as children, ultimately choose to live in two very different worlds, one black and one white.
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond is... Read More »
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“Her death hit in waves. Not a flood, but water lapping steadily at her ankles. You could drown in two inches of water. Maybe grief was the same.” - p. 336
“…an assassination is when someone kills you to make a point.
Which was correct enough,…but only if you were an important man. Important men became martyrs, unimportant ones victims. The important men were televised funerals, public days of mourning. Their deaths inspired the creation of art and the destruction of cities. But important men were killed to make the point that they were unimportant—that they were not even men—and the world continued on.” - pp. 178-179
“She hadn't realized how long it takes to become somebody else, or how lonely it can be living in a world not meant for you.” - p.169
“Skin tissue and muscles and nerves, bone and blood. A body could be labeled but a person couldn’t, and the difference between the two depended on that muscle in your chest. That beloved organ, not sentient, not aware, not feeling, just pumping along, keeping you alive.” - p. 131
“In the dark, you could never be too black. In the dark, everyone was the same color.” - p. 107
“As they grew, they no longer seemed like one body split in two, but two bodies poured into one, each pulling it her own way.” - p. 36
“White folks kill you if you want too much, kill you if you want too little.” - p. 35
“A town always looked different once you'd returned, like a house where all the furniture had shifted three inches. You wouldn't mistake it for a stranger's house but you'd keeping banging your shins on the table corners.” - p.15
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